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Behringer 2600 Blue Marvin Semi-Modular Analog Synthesizer

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$809.00

$599.00

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2600 BLUE MARVIN

 

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Special Edition Semi-Modular Analog Synthesizer with 3 VCOs and Multi-Mode VCF in 8U Rack-Mount Format

 

Features

  • Amazing analog synthesizer with triple VCO design allows for insanely fat music creation

  • Authentic reproduction of ultra-rare Arp Blue Marvin* circuitry from the 70s with matched transistors and JFETs

  • Semi-modular architecture requires no patching for immediate performance

  • 3 VCOs, each with LFO mode, FM inputs and multiple wave-shape outputs for an awe-inspiring palette of tonal possibilities

  • Multi-mode VCF with dedicated low-pass output with additional switched high/notch output

  • Incredible range of modules including ring modulator, lag processor, sample & hold, Schmitt trigger, and envelope follower

  • ADSR and AR Envelope generators with switchable time factor

  • Fitted with a mechanical spring reverb for inspiring sound effects

  • Noise Generator with continuously variable color

  • 2 dedicated LFOs with pulse and sine wave outputs

  • Switched Post Filter Distortion (PFD) / Inverter option on voltage processor

  • Differential (+/-) input VCA with both linear and exponential control inputs

  • Additional functions include attenuator, mixer, inverter, slew rate limiter and 4-way multiple for creative patching flexibility

  • External audio input for processing of external sound sources

  • 58 Faders and 15 buttons give you hands-on direct and real time access to all parameters

  • 83 Patch cable input/outputs for the ultimate in configuration flexibility

  • Comprehensive MIDI implementation with MIDI channel and Voice Priority selection

 

2600 Blue Marvin

 

2600 Blue Marvin

The 1970s was a time when synthesizers were truly coming into their own as more and more musicians were adopting the instrument and making music that no one had ever heard before. Earlier synthesizers were massive and sophisticated devices that cost thousands of dollars, but in 1971, Alan R. Pearlman and Dennis Colin sought to create a more portable version of their huge ARP 2500 modular synth which they could market more towards musicians. Out of this concept came the ARP 2600 semi-modular synthesizer which became an instant hit and was quickly adopted by lots of renowned musicians including Edgar Winter, Pete Townshend, Herbie Hancock and Jean-Michel Jarre, to name a few. Soon after the first models were released, ARP made a bright blue version of Model 2600 called the “Blue Marvin”, named after ARP CFO Marvin Cohen.

Now meet the Behringer 2600 BLUE MARVIN, a limited edition, ultra-affordable and even more feature-packed homage to the iconic ARP 2600 synthesizer. Compared to the original Behringer 2600, the BLUE MARVIN features a mechanical spring reverb, hand-picked components, uni-color LEDs on each fader plus a super slick paint job that’ll make your setup pop! Conjure up virtually any sound imaginable with incredible finesse and ease. The pure analog signal path is based on the authentic ARP 2600 circuitry from the '70s with matched transistors and JFETs. Owning a BLUE MARVIN is like having your piece of history enabling you to re-create timeless classics or forge your own musical path.

 

True to the Original

 

True to the Original

Great care has been taken in engineering the BLUE MARVIN’s true-to-the-original analog circuitry, semi-modular architecture and triple VCO design, all of which come together to recreate the classic tones evocative of classic electronic music. This highly-focused attention to detail gives the BLUE MARVIN its ultra-flexible sound-shaping capability, which then empowers you to recreate amazing tones – from super-fat bass and tasty leads, all the way to full-on dreamy ambience from the far reaches of your imagination.

 

Big, Fat Tones

 

Big, Fat Tones

The synthesizer tracks laid down in the 1970s and '80s in progressive rock, wave and synth-pop have become classics and have inspired many other artists. The BLUE MARVIN lets you recreate all that magic – or design some incredible and original sounds that will make you a legend in your own right!

 

Specification

Inputs

VCO 1 / 2 / 3
Frequency modulation (FM) control

11 x 3.5 mm TS jacks, CV range: -10 V to +10 V 

Pulse width modulation (PWM)

2 x 3.5 mm TS jack, CV range: -5 V to +5 V, 1 V/10% 

VCF
Audio

5 x 3.5 mm TS jacks, 50 kΩ unbalanced 

Control

3 x 3.5 mm TS jacks, CV range: -10 V to +10 V 

ADSR / AR envelope generator
S&H clock

1 x 3.5 mm TS jack, threshold: > 6 V 

Gate in

1 x 3.5 mm TS jack, threshold: +4 V 

Trig in

1 x 3.5 mm TS jack, threshold: +5 V 

VCA
Audio

2 x 3.5 mm TS jacks, 50 kΩ unbalanced 

Control (linear)

1 x 3.5 mm TS jack, CV range: -10 V to +10 V 

Control (exponential)

1 x 3.5 mm TS jack, CV range: -10 V to +10 V 

Mixer / reverb
Audio

2 x 3.5 mm TS jacks,  50 kΩ unbalanced 

Left / right inputs

2 x 3.5 mm TS jacks,  50 kΩ unbalanced 

LFO
Ext vib in

1 x 3.5 mm TS jack,  50 kΩ unbalanced 

Envelope follower
Input

1 x 3.5 mm TS jack,  100 kΩ unbalanced 

Preamp input

1 x 3.5 mm TS jack,  100 kΩ unbalanced 

Ring modulator
VCO 1 input

1 x 3.5 mm TS jack,  100 kΩ unbalanced 

VCO 2 input

1 x 3.5 mm TS jack,  100 kΩ unbalanced 

Voltage processor
-10 V input

1 x 3.5 mm TS jack,  max. input level: +10 V 

Inputs 1 / 3 / 5

3 x 3.5 mm TS jacks,  max. input level: +10 V 

Keyboard CV input

1 x 3.5 mm TS jack,  max. input level: +10 V 

+10 V input

1 x 3.5 mm TS jack,  max. input level: +10 V 

Env follower input

1 x 3.5 mm TS jack,  max. input level: +10 V 

Sample & hold
Noise gen input

1 x 3.5 mm TS jack,  50 kΩ unbalanced 

Ext clock in

1 x 3.5 mm TS jack,  threshold: > 3 V 

Back panel
Interval latch

1 x ¼" TRS 

Portamento footswitch

1 x ¼" TRS

 

Outputs

VCO 1 / 2 / 3
Outputs (saw)

3 x 3.5 mm TS jacks, 1 kΩ unbalanced 

Outputs (pulse)

3 x 3.5 mm TS jacks, 800 Ω unbalanced 

Outputs (tri)

2 x 3.5 mm TS jacks, 1 kΩ unbalanced (VCO 2 / 3 only) 

Outputs (sine)

2 x 3.5 mm TS jacks, 1 kΩ unbalanced (VCO 2 / 3 only) 

VCF
Outputs

1 x 3.5 mm TS jack, 1 kΩ unbalanced 

ADSR / AR Envelope Generator
Output

2 x 3.5 mm TS jacks,  CV range: 0 V to +10 V 

VCA
Output

1 x 3.5 mm TS jack,  1 kΩ unbalanced 

Mixer / reverb
Post-attenuator outputs

2 x 3.5 mm TS jacks,  1 kΩ unbalanced 

Post-mixer output

1 x 3.5 mm TS jack,  1 kΩ unbalanced 

L / R outputs

2 x ¼"  TS,  500 Ω unbalanced

2 x 3.5 mm TS jacks,  500 Ω unbalanced 

LFO
LFO (triangle)

1 x 3.5 mm TS jack,  1 kΩ unbalanced

LFO (square)

1 x 3.5 mm TS jack,  1.8 kΩ unbalanced 

LFO delayed (sine)

1 x 3.5 mm TS jack,  1 kΩ unbalanced 

Envelope follower
Output (preamp x1000 )

1 x 3.5 mm TS jack,  max. output gain: +60 dBu 

Output (preamp x100 )

1 x 3.5 mm TS jack,  max. output gain: +40 dBu 

Output (preamp x10 )

1 x 3.5 mm TS jack,  max. output gain: +20 dBu 

Output (env follower)

1 x 3.5 mm TS jack,  max. output level: +14 V 

Ring modulator
Output

1 x 3.5 mm TS jack, output level: -10 V to +10 V 

Noise generator
Output

1 x 3.5 mm TS jack, output level: -10 V to +10 V 

Voltage processor
Inverter 1 output

1 x 3.5 mm TS jack, output level: -10 V to +10 V 

Inverter 2 output

1 x 3.5 mm TS jack, output level: -10 V to +10 V 

Lag output

1 x 3.5 mm TS jack, output level: -10 V to +10 V 

Sample & hold
Internal clock out

1 x 3.5 mm TS jack,  max. output level: +10 V 

S/H out

1 x 3.5 mm TS jack,  max. output level: +14 V 

Portamento / keyboard
Trig out

1 x 3.5 mm TS jack,  output level: +14 V

Upper voice

1 x 3.5 mm TS jack,  max. output level: +10 V 

Gate out

1 x 3.5 mm TS jack,  output level: +10 V 

Keyboard CV output

1 x 3.5 mm TS jack,  max. output level: +7 V 

Phones
Type

1 x 1/8" TRS jack, stereo 

Max. output level

5 dBu 

Output impedance

8 Ω 

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